Bio

Jesca Cherrelle is an experienced multidisciplinary creative and emerging cultural events manager with a strong foundation in theatre design, arts education, and event coordination. With a BA (Hons) in Theatre Design from Nottingham Trent University and currently pursuing postgraduate studies in Cultural Events Management at De Montfort University, Jesca combines artistic vision with strategic project execution.

Her extensive freelance portfolio includes collaborations with prestigious institutions such as the Victoria and Albert Museum, Nottingham Playhouse, and the Society of British Theatre Design. Jesca has contributed to theatre productions, immersive installations, and educational workshops, often serving as a designer, maker, presenter, or host. Notable projects include The Tempest for Schools Massive Shakespeare Festival, Reflections with Lakeside Theatre Arts, and assisting on internationally showcased exhibitions like the Prague Quadrennial.

In parallel with her creative practice, Jesca has worked across the education and customer service sectors, most recently supporting neurodivergent students as a teaching assistant. She previously held management roles within the NHS Supply Chain, where she led operations, compliance, and staff development initiatives.

Jesca is a member of the Society of British Theatre Design and the National Association of Teachers of Dance. She was awarded the Chartered Society of Designers’ Outstanding Achievement Award in 2014, recognising her commitment to innovation in her creative endeavors.

Personal Statement

Creativity has always been the way I understand the world — not just as a form of expression but as a way to connect people, tell stories, and build something meaningful from raw materials and ideas. I'm a designer, maker, and collaborator who thrives in the in-between spaces — where costume meets character, where design meets community, and where careful event design becomes a tool for bringing dreams alive.

My journey has been anything but straightforward, and I see that as one of my greatest strengths. I’ve worked across theatre, TV, live events, museums, and education — each experience adding to the way I think, feel, and create. Whether I’m illustrating costume designs for the V&A, assisting on gritty theatre productions, or leading workshops with young people, I bring the same energy: curious, hands-on, and always guided by story and emotion.

Working on productions like A Clockwork Orange and collaborating with companies like the Gramophones Theatre and Lifecast Studios has taught me how to build visual worlds that feel alive. I love the detail, the research, and the tactile process of shaping a character through fabric, silhouette, and movement. But I also love the messiness of collaboration — the backstage chaos, the quiet magic of shared ideas, the moments that spark something new.

Outside of the creative world, my experience in education — particularly supporting neurodivergent learners — has shaped my perspective on accessibility, empathy, and the role of design in making people feel seen. I carry that into my creative work too. Whether I’m sewing a hem or designing for a full cast, I want people to feel held by the world I help create.

At my core, I’m a creative leader who values heart, honesty, and craft. I’m excited by projects that take risks, center underrepresented voices, and use design not just to decorate but to communicate. My style blends theatricality with thoughtfulness — rooted in traditional techniques, but always open to play, experimentation, and collaboration.